The Zero
Point or Akasha Field 4
Even ‘”inspiration” is no longer an inexplicable circumstance, but a
demonstrable physical phenomenon. (…) Artists are interpreters and
translators rather than creators.’ What they do is ‘tuning in’ with
the field. ‘Tuning in means: not thinking and making contact with the
information that’s already there. You become one with the information and
resonate with it,’ Shireen Strooker explains. ‘Learning to
tune into the Zero Point Field enables us to create consciously.’(…)
‘Dreams are where reality begins. The future is created by seeing that
future, by tuning into it. In principle, anything is possible.’ Or, as
Gandhi put it: ‘Be the change you wish to see in the world.’
Source
American astronaut and engineer Edgar Mitchell
states that ‘the ubiquitous
experience of persons of all cultures who claim to sense nonlocal
information, who believe they have lived past lives, who experience unseen
dimensions and entities, and seem capable of influencing matter
nonlocally’ can be explained when
taking together two seemingly unrelated concepts: ‘the concepts of
holographic information and the zero-point field. The brain (and every
cell of the body) is a quantum device. And every quantum entity has both a
local (particle) and a nonlocal (wave) aspect. Prodigious amounts of
information can be carried in this holographic manner including,
theoretically, the entire space/time history of the learning organism. In
other words, the totality of our subjective experiences can be thought of
as a multimedia hologram in resonance with the zero-point field.’ (…) ‘It
also can explain Carl Jung's concept of the collective unconscious and the
reason why archetypal symbols recur in dreams, regression therapy, and
shamanistic rituals.’
Source
